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queerheretic:

leagueanimeandcosplay:

ohmygil:

cityeatspudding:

WonderWoman is super chill to her fans

it’s about goddamn time I’m seeing how compassionate Wonder Woman is on this goddamn site

I AM HERE FOR WONDER WOMAN PLAYING POKEMON!

(via rainmonkey)

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fyeahlilbit3point0:

leseanthomas:

SAYO YAMAMOTO (山本 沙代 Yamamoto Sayo; born April 13, 1977/ age 36) is a Japanese anime director. She is known for directing the critically acclaimed anime series Michiko to Hatchin and Lupin III: The Woman Called Fujiko Mine. After graduating from the College of Art and Design in Tokyo, she began work at Studio Madhouse at age 25.

During her time at the College of Art and Design, Yamamoto focused her attention on animation, as she felt less interested in the other things she was being taught. Her student project was an animation about samurai using actor, and frequent Akira Kurosawa collaborator, Toshiro Mifune as an inspiration. While in the process of looking for a job after graduation, she showed this work to director Satoshi Kon (R.I.P).

Enthusiastic about her potential, Kon intended to hire her to work on his second feature Millennium Actress, but studio politics eventually caused her to leave the project.

She had her debut at Studio Madhouse working on the X television series headed by Madhouse director Yoshiaki Kawajiri. Soon after, she would have her first collaboration with directors Takeshi Koike and Katsuhito Ishii on the original video animation Trava: Fist Planet. It was during her time at Madhouse that she began her work on anime opening and ending animations, which she would go on to direct for many other projects.

Yamamoto has stated that it was during her work on Samurai Champloo where she felt she was first able to truly express herself. Samurai Champloo also marks the first time she worked with frequent collaborators, director Shinichirō Watanabe (Cowboy Bebop) and writer Dai Satō (Cowboy bebop, eureka Seven, Ghost In The Shell: Stand Alone Complex).

During her time working on Samurai Champloo at Studio Manglobe, she was offered the chance to direct a project with full creative control. At the time, she was busy with work on Champloo, so she thought about what kind of project she wanted to direct for about a year. During that time, she took a trip to Brazil where she found the inspiration for her first series Michiko to Hatchin. The series, about an ex-convict and a young girl in search of the girl’s father, was released in 2008.

At the press conference where Yamamoto unveiled the series, she said she wanted women especially to watch the series.

"Our time slot was late at night, so office ladies would be returning home, and worn out from the day, they could have a beer and watch it."

After a few years of working on storyboards and art for other projects, including movies Redline and Evangelion: 2.0 You Can (Not) Advance, she was approached by a producer to create a new Lupin III series, with full creative control. It was Yamamoto’s own idea to have the series take place before the start of the 1971 Lupin series, directed by Masaaki Ōsumi, and to have character Fujiko Mine in the starring role.

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Her most recent works was director of episode 2 of the wildly popular Space Dandy : “The Search For The Phantom Space Ramen, Baby”

If you’ve never seen Michiko to Hatchin and are interested in an anime featuring some really good, non-caricatured black and mixed ladies I’d definitely give it a shot.

(via rainmonkey)

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leafsfeelings:

choptail:

*SLAMS REBLOG BUTTON*

HIT REBLOG SO GODDAMN FAST

leafsfeelings:

choptail:

*SLAMS REBLOG BUTTON*

HIT REBLOG SO GODDAMN FAST

(Source: htkfr, via rainmonkey)

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hatver:

Tony?

Hi.

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(Source: taste-of-water)

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parmalatsparta:

T - trolling

(Source: ignatiusparmalatius)

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Don’t worry Chris

that’s normal

(Source: teaofmydreams)

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brynnasaurus:

I might be super late to the party but did everyone else notice this? lololol

brynnasaurus:

I might be super late to the party but did everyone else notice this? lololol

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joodlez:

Hello! As many of you have been made aware, I’ve been busy working away on this Ravio-centred Link Between Worlds fanbook: Two Worlds ◆ Two Heroes. It’s a fully illustrated book of self-indulgent headcanons, such as the ones I’ve been posting on tumblr

Product Details:
▼ soft cover
▼ B5 (approximately 7x10”)
▼ 24 pages
▼ full colour
▼ illustrations and mini comics (1-3 pages per segment)

Shipping Details:
▼ $4.00 Within Canada 
▼ $6.00 To United States 
▼ $10.00 Internationally

Preorder Bonus:
▼ an exclusive mini-print! 
▼ a randomized 20 orders (1 order = 1 book) get a double-sided clear acrylic RavioLi charm! Yay!!

I’m making an effort to have this available at Anime North 2014 at earliest, but if the books don’t make it by then, it will be available at Anime Expo 2014 and online. I don’t have plans on going to a Vancouver convention this year. If you plan on buying a copy at these abovementioned conventions, please do not purchase online, for there will be no pick-ups. Thank you everyone for your interest and support, I really appreciate it!! ;-;

(The books are already in production hehe!!) 

Zelda fans should be pre-ordering my friend Judy’s amazing look book before it’s GONE FOREVER.

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tom-sits-like-a-whore:

who is on your team, captain?

#completely convinced marvel just finds the actual characters to play their parts

Marvel’s casting department cannot be beat. Literally all of the actors are their characters.

(Source: ayyecaptn, via seadeepspace)